A
Living Document, Evolving Based on Suggestions:
In the summer of 2013,
social media shattered any pretense that Americans were living in a post-racial
era. George Zimmerman was acquitted of
the shooting death of Trayvon Martin, an injustice that closely followed media
attention on the allegations against Paula Deen. After Zimmerman’s acquittal, in cities across
America, protestors dressed in hoodies marched and carried signs, while
President Obama called for a national conversation on racial relations. For a short time it seemed like such a
discussion might happen. Then we
blinked. The media moved on to other
stories, other outrages. It was summer
after all, and we went to the beach, to the lake, to our places of rest. We went on and nothing changed.
Nothing changed except
this. That conversation is still waiting
to happen. It’s not that social media
exposed us to any new idea this summer.
All sites like publicshaming.tumbrl.com did was drag the ugliness of
racism out into plain sight where we couldn’t ignore it anymore. If we are honest, we’ve been hearing such racist
comments out in public or in the privacy of our homes, from strangers and from our
own friends and family. All social media
helped us realize was how tangible and destructive racism continues to be in
America in 2013.
Along with so many others, I
felt angry and helpless, but then I had an idea I posted on Facebook.
One afternoon I was
imagining a literature class in which the only two students were George
Zimmerman and Paula Deen, and I started daydreaming about what I would put on
the syllabus. I immediately realized that every semester I do have a student or
two like Zimmerman or Deen pass through one course or another. I thought about
the Supreme Court’s dismantling of the Voting Rights Act, how now more than
ever we need open and honest discussions about race. What better place for this to happen than the
classroom, and what better subject, since reading fiction has been shown to
increase empathy?
I asked this question to my
friends, many of whom are teachers: if George Zimmerman and Paula Deen are
students in our classroom, then what stories, essays, poems, novels, or plays
should we put on the syllabus of life? Here now, I would like to share the best
responses and suggestions, along with links connecting to the work. I’m more hopeful, now than ever, that at
least through literature we might achieve both dialogue and progress on the
subject of race in America. I’m calling
this a “living document” because I plan to keep updating it with new writing
and suggestions and links.
One thing most commenters
agreed on is that while such discussions are necessary, they are still going to
be difficult. Professor Aimee Viera
noted that: “the
hard part is designing an evaluation regime that encourages bravery and
engagement on the part of the students, with honesty of expression being
supported (even when those honest expressions are shocking in their ignorance).
I struggle with this challenge regularly.”
As this document continues to evolve, I also hope to include
questions and writing prompts that will help encourage discussion in the
classroom. For instance, in the note
below on Anna Deavere Smith's one
woman play, Fires in the Mirror, Professor
Diana Joseph included three questions that may be useful as a touchstone for discussion. (See below)
Here are some literary resources to consider, broken down by genre—Short Story, Short Story Collection, Essay,
Discussion or Video Link, Essay Collection, Classic Novel and Young Adult,
Graphic Novel, and Play—with links to full texts or video where available.
Short Story:
“Drinking Coffee Elsewhere” by ZZ Packer: http://www.newyorker.com/archive/2000/06/19/2000_06_19_156_TNY_LIBRY_000021114
"The End of FIRPO in the World" by George
Saunders: http://www.newyorker.com/archive/1998/05/18/1998_05_18_076_TNY_LIBRY_000015572
"Where Is This Voice Coming From?" by Eudora
Welty, which she wrote the night she learned NAACP activist Medgar Evers had
been assassinated. She channeled all of her anguish into a timeless work: http://www.newyorker.com/online/2009/03/16/090316on_audio_oates
Short
Story Collection:
Before
You Suffocate Your Own Fool Self by Danielle Evans. You can hear her reading from it here on
NPR: http://www.npr.org/2011/07/14/134259250/watch-danielle-evans-short-story-reading-at-npr
Essay:
“A Stranger in the Village” by James Baldwin. Full essay here: https://pantherfile.uwm.edu/gjay/www/Whiteness/stranger.htm The essay is part of a larger collection, the
classic Notes of a Native Son.
"Black Men and Public Spaces” by Brent Staples. This widely anthologized essay, a staple in
composition texts, was first published
in Harpers in 1986 but remains fully relevant and compelling. http://facstaff.uww.edu/carlberj/Journal3.htm
"What's Inside You, Brother?” by Toure (from his
collection Never Drank the Kool Aid.) Toure is actually a commentator on MSNBC now
and his comments on the Paula Deen case were intriguing: http://www.mediaite.com/tv/toure-if-you-support-paula-deen-youre-saying-racism-doesnt-matter-to-me/
“The Death of a Boy:
Trayvon Martin” by Kao Kalia Yang.
http://opineseason.com/2013/07/18/the-death-of-a-boy-trayvon-martin/ Along with this essay, Kao Kalia Yang has
also written a memoir, The Late Homecomer,
about leaving the Hmong refugee camps in Laos behind for life in St. Paul,
Minnesota. It’s beautifully written and poignant, so I often return to teaching
her memoir in my writing classes. Sample
discussion questions can be found here and I would be happy to share full
resources designed by Normandale instructors the year The Late Homecomer was our campus Common Book if you send me an
email: http://international.uiowa.edu/files/international.uiowa.edu/files/file_uploads/hmong_questions_0.pdf
Discussion
or Video Link:
"The Danger of a Single Story" by Chimamanda
Adichie: http://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story.html
Essay
Collection or Nonfiction Work:
The
Women by Hilton Als. Part
memoir and part sociopolitical examination, Hilton Als explores the story of
his own mother and the mother of Malcolm X in this book about race and
identity. http://us.macmillan.com/thewomen/HiltonAls
The
Fire Next Time by James Baldwin. A seminal work published shortly after Martin
Luther King Jr. delivered his “I Have a Dream” speech when the Civil Rights
movement was emerging. This article
discusses the continuing relevancy of the two essays in this work today: http://www.allvoices.com/contributed-news/15016429-simmering-with-zimmermanjames-baldwins-the-fire-next-time-revisited
Fresh
off the Boat: a
memoir by Eddie Huang: NPR’s interview is
in-depth, but you can also find numerous excerpts online, such as this one
about experiencing the American version of Thanksgiving: http://www.bonappetit.com/blogsandforums/blogs/badaily/2012/11/eddie-huang-book-excerpt.html
The
History of White People by Nell Irvin Painter. Salon has a great interview here: http://www.salon.com/2010/03/23/history_of_white_people_nell_irvin_painter/
The
Immortal Life of Henrietta Lacks by Rebecca Skloot: I’ve taught this book before as part
Normandale’s Common Book program and it’s a student favorite. For instructors out there, one serious
advantage is the extensive resources found on this book: http://rebeccaskloot.com/the-immortal-life/teaching/
"Looking at Emmitt Till" by John Edgar Wideman. A
portion of this essay collection, “The Killing of Black Boys,” first published
in Essence magainze, is also
available online: http://www.emmetttillmurder.com/Wideman.htm
Black
Boy
by Richard Wright. Autobiographical
account of race relations in the South. There’s
a great teaching series that features a documentary which can be found
here: http://www.newsreel.org/guides/richardw.htm
Novel:
Little
Bee by
Chris Cleave . This novel is described
as “well-crafted popular literature that asks difficult questions and gives a
privileged woman a character to empathize with while trying to connect to
someone else not at all like her.” http://www.chriscleave.com/books/little-bee/reading-group-guide/
The
Round House by Louise Erdrich. This novel is Normandale’s Common Book for
the academic year of 2013-2014 and I look forward to teaching it. The
Roundhouse, which deals with issues of violence against women and tribal
justice, has been compared to Harper Lee’s To
Kill a Mockingbird and won the National Book Award in 2012. PBS has a solid interview with the author up,
and here’s a guide that includes discussion questions: http://www.litlovers.com/reading-guides/13-fiction/8956-round-house-erdrich-?start=1
The
Book of Night Women by Marlon James. Marlon James teaches at Macalester in the
Twin Cities. His second novel is written
in the patois of a Jamaican slave and it was a finalist for the National Book
Critic’s Circle Award. Here on his blog,
he debates whether or not to get rid of his Flannery O’Connor books after
discovering she was a racist: http://marlon-james.blogspot.com/
Pym by Mat
Johnson. Here is a deeply American
novel, about what it means white or black in this country, a wildly inventive
story that features an out of work professor on a “crazy adventure to find
Poe’s only novel, The Narrative of Arthur
Gordon Pym of Nantucket. Satiric and
inventive, the novel also features fascinating discussions about race in
America. At the author’s website you can
find links to the Poe novel, along with other works it inspired: http://matjohnson.info/sequels/
The
Secret Life of Bees by Sue Monk Kidd -- What better way to reach
someone than by giving them a vulnerable child character as in this coming of
age story set in the South? http://www.us.penguingroup.com/static/rguides/us/secret_life_bees.html
Angry
Black White Boy by Adam Mansbach. Set in the mid eighties, the hip-hop loving
narrator of this satiric novel explores issues of white privilege and race in
America. http://www.alternet.org/story/21943/whiteness_visible
Martin
and John by Dale Peck. A
novel that braids together two stories about love in the time of the AIDS
crisis. Professor Ed Madden at the
University of Southern Carolina has put together an entire pedagogical series
on teaching the of literature AIDS that also mentions this book: http://www.ars-rhetorica.net/Queen/VolumeSpecialIssue/Articles/EdMadden.pdf
The
Healing by Jonathan O’Dell.
Twin Cities writer Jonathan O’Dell grew up in Mississippi, where he was
involved in the Civil Rights movement.
He consults on issues of diversity for corporations and has published a
guide called Work Skills for Teams and
Courageous Conversations. I hope to
find out more about how he engages in such conversations. His website can be found here: http://jon-odell.com/blog/about-jon-2/
Austerlitz
by
W.G. Sebald. A novel about memory and
loss, which tells the story of a Jew who immigrates to England as part of the
Kindertransporte program in 1939. Here the New Yorker makes the case for why
all of us should be reading W.G. Sebald:
http://www.newyorker.com/online/blogs/books/2011/12/why-you-should-read-w-g-sebald.html
The
Color Purple by Alice Walker. In this epistolary novel, a poor black woman
living in the south writes letters to God.
CSI-CUNY has gathered together a collection of resources here: http://www.library.csi.cuny.edu/dept/history/lavender/purple.html
Salvage
the Bones by Jesymn Ward.
Winner of the 2011 National Book Award, Salvage features a teenage narrator named Esch trying to hold her
family together and survive in the wake Hurricane Katrina’s passage through
Mississippi. Interview with the author
here: http://www.theparisreview.org/blog/2011/08/30/jesmyn-ward-on-salvage-the-bones/
Classic
Novel and Young Adult*:
*These are novels are sometimes taught in high school, but
many people may not have read them and they deserve a space on every shelf.
Absolutely
True Diary of a Part-Time Indian by Sherman Alexie. When I teach young adult literature, my
students rave about Alexie’s novel and it’s one of my favorites. Both humorous and poignant, the story of
Junior’s life on the reservation also remains deeply controversial and was
recently banned in one district: http://www.huffingtonpost.com/2013/08/02/sherman-alexie-part-time-indian-masturbation_n_3696555.html
As a side note, I also love Sherman Alexie’s article, “Why
the Best Books are Written in Blood” about controversial issues in
literature: http://blogs.wsj.com/speakeasy/2011/06/09/why-the-best-kids-books-are-written-in-blood/
Invisible
Man
by Ralph Ellison. I was fascinated to
recently discover that Ralph Ellison spent four decades working on a sequel
that he never published. Slate has more
here: http://www.slate.com/articles/arts/culturebox/2013/06/ralph_ellison_s_invisible_man_follow_up_why_did_he_never_publish_it.html
To Kill
a Mockingbird, by Harper Lee.
Some go as far as crediting this novel with helping to spark the Civil
Rights movement by telling the truth about racial injustice in the South. More
about the link between the two can be found here: http://resources.mhs.vic.edu.au/mockingbird/civil.htm
Cry the
Beloved Country by Alex Paton.
Stacie Michelle Williams pointed out that it may help students to see
racial relations and troubling histories in other countries and she remembered
this classic novel set in Apartheid South Africa as being “mind-opening.” Many unit plans for teaching this novel exist
online: http://www.careerhighschool.org/uploads/1/5/9/7/15971030/cry_beloved_.pdf
Roll of
Thunder Hear My Cry by Mildred Taylor. Newberry award winning novel about life for
the Land family in the Jim-Crow era South.
High quality unit plans such as this one abound on the web: http://www.ogdenmuseum.org/education/pdf/rollOfThunder.pdf
Night by
Elie Wiesel. This memoir of the
Holocaust was reportedly rejected by fifteen publishers, but went on to sell
more than ten million copies. The NYT
has more on the story here: http://www.nytimes.com/2008/01/20/books/review/Donadio-t.html?pagewanted=all&_r=0
Graphic
Novel:
American
Born Chinese by Gene Luen Yang. Complex, multi-layered story of growing up
Chinese in America in the 1980’s.
Resources for teaching this and other graphic novels can be found
here: http://teachingwithgraphicnovels.com/2011/08/09/american-born-chinese/
Incognegro by Mat
Johnson. Fascinating story of a
light-skinned black man who passes as white to investigate lynchings in the
1930’s. http://www.nytimes.com/2008/03/03/books/03gust.html
Arab in
America by Toufic El Rassi.
Published in 2008, this autobiographical graphic novel shows what life
during the War on Terror was like from the perspective of an Arab-immigrant. http://bookdragon.si.edu/2010/04/13/arab-in-america-by-toufic-el-rassi/
The
Silence of Our Friends by Mark
Long, Jim Demonakos, Nate Powell. Set in
1967, Houston, this autobiographical graphic novel covers the Civil Rights
struggle from the alternating perspectives of a white and a black family. http://www.graphicnovelreporter.com/content/long-journey-story-behind-silence-our-friends-interview
The
Arrival by Shaun Tan. The
immigrant experience captured in pictures only.
http://www.scholastic.com/teachers/article/booktalk-arrival-shaun-tan
The
Complete Persepolis by Marjane Satrapi. Graphic memoir about growing up in Iran
during the revolution. Satrapi’s story
is taught in classes nationwide, though it is sometimes censored: http://thinkprogress.org/alyssa/2013/03/18/1735481/chicago-public-schools-take-marjane-satrapis-persepolis-out-of-seventh-grade-classrooms/
Play:
Fires in the Mirror by Anna Deveare Smith. Professor Diana Joseph relates her reading experience here and I love the three questions she includes: “I read it in one of Melanie Rae Thon's classes when I was in grad school and it blew my mind. It's about the riots that happened in Crown Heights, Brooklyn back in the early 90's after a Hasidic rabbi was acquitted for the death of a black child--the rabbi and his driver killed the kid in a hit and run. Anna Deveare Smith interviewed many people from both communities--everyone from a Hasidic Jewish housewife to Al Sharpton--and turned those interviews into the dramatic monologues that make up her play. What I think is especially amazing is that Smith plays all the parts. The stuff she says about writing in her introduction is good, too. (One thing has always stayed with me. She says there are three questions that will you can ask anyone and their answers will be poetry: 1. have you ever been close to death; 2. what were the circumstances of your birth; and 3. have you ever been accused of something you did not do?)
Play:
Fires in the Mirror by Anna Deveare Smith. Professor Diana Joseph relates her reading experience here and I love the three questions she includes: “I read it in one of Melanie Rae Thon's classes when I was in grad school and it blew my mind. It's about the riots that happened in Crown Heights, Brooklyn back in the early 90's after a Hasidic rabbi was acquitted for the death of a black child--the rabbi and his driver killed the kid in a hit and run. Anna Deveare Smith interviewed many people from both communities--everyone from a Hasidic Jewish housewife to Al Sharpton--and turned those interviews into the dramatic monologues that make up her play. What I think is especially amazing is that Smith plays all the parts. The stuff she says about writing in her introduction is good, too. (One thing has always stayed with me. She says there are three questions that will you can ask anyone and their answers will be poetry: 1. have you ever been close to death; 2. what were the circumstances of your birth; and 3. have you ever been accused of something you did not do?)
"Other People's
Holocausts: Trauma, Empathy and Justice in Anna Deveare Smith's Fires in the Mirror" https://pantherfile.uwm.edu/gjay/www/annadeaveresmith.pdf
"Fences" by August Wilson. Race conscious play set in a pre-Civil Rights
1950’s. A full teaching guide designed
by a Minneapolis theater can be found here:
http://penumbratheatre.org/downloads/studyguides/FencesParts/Fences-Part12-ToolsforTeaching.pdf
1 comment:
Great post, Tom. I really liked Guns, Germs, and Steel by Jared Diamond, which also became a PBS special. It moves to prohibit the "haves" from thinking they have everything because they are somehow genetically smarter or more advanced.
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